Rest During The Flight Into Egypt Simone Cantarini
£22,300
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Item details
Wear conditions
Good
Wear conditions
Excellent
Shows little to no signs of wear and tear.
Good
May show slight traces of use in keeping with age. Most vintage and antique items fit into this condition.
Average
Likely to show signs of some light scratching and ageing but still remains in a fair condition.
Apparent Wear and Tear
Visible signs of previous use including scratches, chips or stains.
Please refer to condition report, images or make a seller enquiry for additional information.
Description
Solitary artist and dramatic, Simone Cantarini the Pesaro (Pesaro 1612 - Verona 1648), is certainly one of the most significant Italian artists of his century and is absolutely a unique voice, a brilliant and innovative painting of that time. He is in fact in the world of Baroque art from the first half of the seventeenth century., A role that brings him closer to more than one aspect to Caravaggio, and for the life stunted and vagrant, for the variety and versatility of the topics that the early death at the age of 36. Called in Mantua in 1647 by Charles II Gonzaga, he found an environment hostile deeply humbled that much to get him to move to Verona, the city where he found a death but not without enduring suspicions of poisoning. In fact the pictorial art of Cantarini, even if it develops in the typical of the Bolognese school, was soon directed to an original and personal, also evident in the numerous graphic works etching and engraving of which was an outstanding interpreter. Also in this walnut oil on panel (the theme of the Flight into Egypt will be very expensive and with some more or less marked, will repeat it several times in graphics) in an admirable way he knows how to combine depth of feelings, classic poise, elegance figurative, poetic harmony of the whole. The research and contemplation of the Divine are represented as inner experience and engaging in absolute solitude of the landscape that forms the backdrop to the characters and their placement in an essential area and completely natural. The daily life imbued with the familiarity of the scene is enhanced by the gesture of St. Joseph stretching arms tenderly to collect the child from the womb of Mary. Initially fellow student of Gian Giacomo Pandilfi, after a trip to Venice he returned home to continue their education at the school of Veronese Claudio Ridolfi. After the period tardobaroccesco and the advent of the greatest painters in the area of the Marche Bologna on the one hand and on the other by Caravaggio, the Cantarini spent a stormy period in Bologna in contact with Guido Reni which did not accept, even subendono the influence, for Pride in relation to its large capacity undoubted supremacy of the Master. Of their artistic partnership remains a celebrated portrait in which Guido Reni is represented by Cantarini in a realistic and psychologically somewhat introspective. In reality it was a clash between two cultures, with the trend of Cantarini to experiment in freedom and without strong ties of painting Paradise by Reni. Because of his quarrelsome character and issues of women, around 1635 had left Pesaro to Bologna but already in 1639 he was back at home from where he moved to Rome, remaining until 1642. After that date, being dead Reni, was again at Bologna in a more livable for him. The work is provided with written notice of Dr. S. Fiumicelli of Bologna proving the attribution to Simone Cantarini.
Additional dimensions information:
Dimensions TBC
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- Selling at Vinterior since 2018
- Ships from Bagnara di Romagna, Italy
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Item price: £22,300